Over the last four decades, a growing body of literary works which specifically engage the aftermath of political conflict has been produced by writers from different societies across the globe. Emerging from the space of horror left by ethnic, religious, intra-state and /or border conflicts, these works highlight the significant role that literature can play in the negotiating of peace and resolution of conflict. In addition to participating in the process of attenuating conflict and building peace, post-conflict literatures of the late 20th and early 21st centuries become crucial in rebuilding filial, social, and communal relations. Significantly, post-conflict literatures also serve as conduits through which diasporic communities negotiate politics of identity and belonging with 'home' territories.

In this course we will study post-conflict narratives from Ireland, Bosnia and Herzegovina, Rwanda, Darfur, Nigeria, the Dominican Republic and Colombia. Drawing on recent theoretical conceptions of conflict geography, biopolitics and necropolitics, we will examine issues such as religious and state violence, violations of human rights, trauma, genocide, and post-traumatic memory. But we will also be examining the therapeutic potential of imaginative literature as well as its role in facilitating processes of truth and reconciliation. Additionally, the course analyzes the variety of creative strategies employed by the different genres within post-conflict literatures (memoir, autobiography, autofiction, science fiction, crime drama) to make sense of the past and map a new future.

In exploring post-conflict literatures, we will draw on ideas from a wide range of thinkers such as Giorgio Agamben, Hannah Arendt, Achille Mbembe, Antonio Negri, and Sylvia Wynter, among others. The main texts for study will include Wendy Erskine Sweet Home (2019) [Ireland], Steven Galloway The Cellist of Sarajevo (2009) [Bosnia and Herzegovina — Canadian Author], Scholastique Mukasonga Our Lady of the Nile (2014) [Rwanda], Chinua Achebe There Was A Country (2013) [Nigeria], Evelio Roserio The Armies (2009) [Colombia] and René Philoctète Massacre River (2008) [Dominican Republic].