FAH2060H: Artisans and Artists in the Ancient Mediterranean

This course considers fundamental problems in developing an Art History for ancient art, with an emphasis on the prehistoric through Medieval Mediterranean. How can the approaches, methods, and theories developed for the study of "art" be applied to ancient artifacts and visual culture recovered from archaeological contexts? How is art history impacted when we seldom can identify the creator of an artifact, or so little is known about an ancient persona that we cannot meaningfully assess a career at an individual level? Going beyond the erasure of the great majority of creative individuals from an otherwise literate ancient society, how do we engage with imagery in a prehistoric context, where creators are not only anonymous, but the lack of written documents introduces a deep uncertainty in any interpretation? In response to these existential questions about ancient art history, we will examine both modern and ancient concepts of art and craft, including the culturally embedded constructs of artist versus artisan. The surviving ancient literature and epigraphical records cast important light on ancient aesthetics, modes of perception, and emerging ancient notions of art history, albeit one quite distinct from the modern. The course also reviews specific methods and theories which have been applied to the study of ancient artisans and aesthetics, beginning with attribution studies and collection practices which shaped modern museums. We will then consider the corpus of ancient signatures and other personal marks left on artifacts, as well as visual representations of craft created by the artisans themselves. Additional topics will be adapted to the background and interests of the enrolled students. We may consider the power and influence of images and image-makers in antiquity, the approaches to symbolism and meaning in prehistoric visual culture, the organization of artisans and workshops in various media and conditions, the economics of craft production, or the reconstruction of ancient technologies — each of which provide new insight into and perspective over the lives of artisans and craftspeople in the ancient world.

0.50
St. George