Final course offerings may vary. Students should consult the departmental handbook.
| Course Code | Course Title |
|---|---|
MMus Advanced Composition I | |
Seminar in Schenkerian Analysis I | |
Seminar in Schenkerian Analysis II | |
MMus Advanced Composition II | |
Classical Orchestration | |
| MUS3114H | Counterpoint and Diversity |
| MUS3115H | Counterpoint: A Practical Exercise in Democracy |
| MUS3116H | Learning from the Visual Arts for Composers |
Score Analysis for Composers and Conductors | |
Advanced Orchestration | |
| MUS3205H | Score Analysis II for Composers and Conductors |
| MUS3207H | Rhythm: Compositional Approaches to Measuring Time |
| MUS3211H | Composing for Dance |
Composing for Chamber Ensemble | |
| MUS3214H | Music and the Machine |
| MUS3219H | The Composer as Philosopher |
| MUS3220H | Timbre and Orchestration Studies |
Composing for Film | |
Berg | |
Sonata Form | |
Music of Gubaidulina, Coulthard, and Chen | |
| MUS3228H | Classical Form |
The Twentieth-Century Symphony | |
| MUS3230H | The Music of Messiaen, Schnittke, and Pärt |
| MUS3231H | Conducting for Composers |
Romantic Form | |
| MUS3233H | Compositional Identity and Practice in the 21st Century |
Music Recording | |
| MUS3255H | Composing Music |
Songwriting | |
| MUS3260H | The New Polish School of Composition |
DMA Advanced Composition I | |
DMA Advanced Composition II | |
Pedagogy of Music Theory | |
Theory and Analysis of Atonal Music | |
Extended Tonal Techniques in the Twentieth Century | |
Advanced Analysis | |
Advanced Analysis: 1850–1910 | |
Theories of Rhythm and Metre | |
Introduction to Operatic Composition | |
| MUS3420H | Composing for Percussion |
Composing for Theatre | |
Electroacoustic Music | |
Advanced Electro-acoustic Composition | |
DMA Recital of Works | |
MMus Composition Thesis | |
Reading and Research in Composition | |
Research in Composition | |
Analysis and Performance Practices of Twentieth-Century Music |