Course Code | Course Title |
---|---|
MUS4120H | Clinical Voice Pedagogy |
Critical Approaches to Music History | |
Introduction to Music Analysis | |
Advanced Repertoire for Singers and Pianists I | |
Advanced Repertoire for Singers and Pianists II | |
Perspectives on the Business of Music Performance | |
Orchestral Conducting I | |
Orchestral Conducting II | |
Advanced Orchestral Conducting | |
Choral Conducting I | |
Choral Conducting II | |
Advanced Choral Conducting | |
Wind Ensemble Conducting I | |
Wind Ensemble Conducting II | |
Advanced Wind Conducting I | |
Advanced Wind Conducting II | |
Advanced Vocal Repertoire Study I | |
Advanced Vocal Repertoire Study II | |
MUS4233H | Performing as a Freelance Musician in North America |
Explorations in Performance | |
Introduction to Voice Pedagogy and Vocology | |
MUS4241H | Advanced Vocal Pedagogy and Vocology |
Advanced Concepts in Singing and Vocology | |
Optimizing the Singing Mind | |
Piano Pedagogy: Beginning and Intermediate Levels | |
Practicum: Beginning and Intermediate Levels | |
Piano Pedagogy: Advanced and University Levels | |
Practicum: Advanced and University Levels | |
MUS4274H | Advanced Performance: Piano Technology and Technique |
Readings and Research in Performance Studies | |
Seminar in Jazz Studies | |
Advanced Ear Training and Harmony | |
Rhythm for Improvisation | |
Advanced Jazz Composition and Arranging I | |
Advanced Jazz Composition and Arranging II | |
Advanced Jazz Improvisation I | |
Advanced Jazz Improvisation 2 | |
Piano Literature — Baroque and Classical | |
Fretboard Harmony: Common Practice Harmony on the Guitar | |
Guitar Pedagogy: Method and Practice | |
History and Literature of the Guitar | |
Improvisation for Strings | |
Flute-Guitar Masterclass | |
MUS4440H | Flute-Guitar Masterclass II |
Applied Music I | |
Applied Music II | |
Collaborative Piano Techniques I | |
Sonata Coaching I | |
Sonata Coaching II | |
Collaborative Piano Techniques II | |
Collaborative Piano Techniques II Vocal | |
Operatic Répétiteur | |
MUS4513Y | Operatic Repertory |
Advanced Diction Studies I | |
Advanced Diction Studies II — Italian | |
MUS4522H | Advanced Diction Studies III |
Advanced Diction Studies — English | |
Performance Practices Before 1800 | |
Special Topics in Performance Practice | |
World Music Ensembles: Practical and Analytical Studies | |
Analysis and Performance: Music of the Eighteenth and Nineteenth Centuries | |
Performance Techniques for Hospice Palliative Care | |
Analysis and Performance Practices of Twentieth-Century Music | |
Topics in Interactive Digital Media and Performance | |
The 21st-Century Creative Performer: An Interdisciplinary Inquiry to Performance and Performance Practice | |
MUS4626H | Music Internship |
MUS4626Y | Music Internship |
Major Ensemble I | |
Major Ensemble II | |
Major Ensemble IV | |
Contemporary Chamber Ensemble I | |
Contemporary Chamber Ensemble II | |
Chamber Music I | |
Chamber Music II | |
Chamber Choir III | |
Opera I | |
Opera II | |
Opera III | |
Opera IV | |
Small Group Jazz Performance I | |
Small Group Jazz Performance II | |
Small Group Jazz Performance III | |
Baroque String Repertoire | |
Jazz Orchestra I | |
Jazz Orchestra II | |
Jazz Orchestra III | |
Jazz Orchestra IV | |
Vocal Jazz Ensemble I | |
Vocal Jazz Ensemble II | |
Vocal Jazz Ensemble III | |
Vocal Jazz Ensemble IV | |
Instrumental Performance Class Woodwinds II | |
Oratorio Ensemble I | |
Oratorio Ensemble II | |
Schola Cantorum I | |
Schola Cantorum II | |
Collegium Musicum I | |
Collegium Musicum I | |
Orchestral Studies I | |
Orchestral Studies II | |
Instrumental Performance Class Woodwinds | |
Instrumental Performance — Guitar | |
Instrumental Performance — Guitar II | |
Piano/Instrumental I | |
Piano/Instrumental II | |
DMA Seminar | |
Seminar in Performance Pedagogy | |
Researching Performance/Performing Research | |
MUS4819H | String Pedagogy Practicum |
DMA Study in Masterclass Teaching | |
DMA Study in Undergraduate Piano Pedagogy | |
MUS4822H | DMA Study in Applied Studio Teaching |
MUS4823H | Sound and Vision: Techniques in Research-Creation |
Twentieth- and Twenty-First-Century Interpretive Analysis | |
Advanced Applied Music I | |
Advanced Applied Music II | |
DMA Elective Recital | |
DMA Recital I | |
DMA Recital II | |
DMA Recital III | |
Research in Performance | |
MUS4899Y | Research in Performance |
Operatic Studies I | |
Operatic Studies II | |
Operatic Roles I | |
Operatic Roles II | |
Piano Master Class I | |
Piano Master Class II | |
Instrumental Performance — Violin and Viola I | |
Instrumental Performance — Violin and Viola II | |
Instrumental Performance — Violin and Viola III | |
MUS5714H | Instrumental Performance: Cello-Bass I |
MUS5715H | Instrumental Performance: Cello-Bass II |
MUS5716H | Instrumental Performance: Cello-Bass III |
Recital I | |
Elementary Improvisation Methods | |
Recital II |