This course offers a critical examination of slave narratives in a range of historical contexts.
The slave narrative was used as a major weapon in the Black freedom and antislavery struggles of the 18th and 19th centuries in the Anglo-Atlantic world. The narrative was written by former or runaway slaves, or related by word-of-mouth to an amanuensis, and thus presented an "eye-witness" account of slavery.
The original purpose of the narrative was to inform the public (mainly Whites) about the brutalities of slavery, and its impact on Black life. Its overarching objective was to highlight Black humanity, and therefore Black people's deservedness for liberty. At first, the slave narrative was abolitionist discourse, then it evolved as auto/biography of the author, and eventually as history, political commentary, and literature. Not surprisingly, the slave narrative laid the foundation for the Black literary tradition in the western world.
Most of the slave narratives were written and published in the United States in the antebellum era, though numerous were also written and recorded in the postbellum period. As important, narratives were produced in the British Isles by African-born former enslaved persons such as Olaudah Equiano (Gustavus Vassa) and Ottobah Cugoana. In fact, it was in Britain that the slave narrative first gained prominence during the latter half of the 18th century as abolitionist discourse. There is also a Caribbean contribution to this Anglo-Atlantic tradition of the slave narrative.
At the same time, in this course we will read, explore, and critique narratives that fall outside the realm of the Anglo-American slave narrative, and assess how these narratives are similar to and different from the traditional narrative. Three such works are by Nicholas Said of West Africa (a Nigerian who experienced enslavement in the Ottoman Empire, Europe, and Russia), Mary Prince of Bermuda/Antigua/England, and Juan Francisco Manzano of Cuba.
We will critically examine the slave narrative in its historical, social, and political contexts. The course will be organized around such themes as gender and family dimensions, motherhood and fatherhood, sexual abuse, master-slave relations, flight and fugitivity, journeys and travels, gender bending, Black-White relations, literacy, and the search for an authorial voice by the narrators themselves.
Students will also be introduced to the sub-genre of the Canadian slave narrative.
Finally, we will explore the legacy and afterlife of the slave narrative.