Audio Cultures introduces students to critical studies of sound mediation and representation, including audio technologies, music performance and recording, and audio circulation, interpretation, and preservation. Specific course topics may include radio, podcasting, oral knowledge traditions and practices, new technologies and musical creativity, politics of noise and urban environments, voice commands and interfaces, AI voices and machine listening, and other aspects of mediated sound within information cultures.
Students will learn how to interpret sound as potential and actual information and consider its ethical and political dimensions. They will also discuss how oral, audio, and musical practices relate to art, memory, and heritage. Finally, they will reflect on the institutions where oral cultures are collected, kept, displayed, archived, performed, or developed and which provide access to knowledge. Course materials will draw from a range of audio cultures, past and present, including marginalized audio cultures within and beyond North America.
This course can be used to fulfill the "Critical Perspectives" Professional Requirement.